Get all 14 Space Megalithe releases available on Bandcamp and save 45%.
Includes unlimited streaming via the free Bandcamp app, plus high-quality downloads of Electropolis, Echo du Futur part I, Archéoastronomie (final), Archéoastronomie, Mabon, Ostara, solitaire, Ultima Thulé, and 6 more.
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supported by 24 fans who also own “B-Wave Live”
What a wonderful time for fans, more and more remasters. 24bit/96kHz quality sound
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supported by 21 fans who also own “B-Wave Live”
Some of the most exciting Berlin School electronic music I've heard in recent decades, and this is my favorite. On a par with Michael Hoenig's classic Departure From the Northern Wasteland. Check out the Mixcloud program built around this album. (Love the title's, too!) https://www.mixcloud.com/lowlight/in-sequencer-euphoria-by-paul-asbury-seaman/
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cosmic ground 2
by Cosmic Ground
supported by 21 fans who also own “B-Wave Live”
Strong and Strange. Raw and Analogue. This is EM "right in your face". Either love it or hate it. (I chose the first option).
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Flatland / Spaceland
by Joe Harvey-Whyte
The pedal steel guitarist marks his solo debut with a meditative blend of ambient electronics, neoclassical, and field recordings.
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Mies van der Rohe's dreams [CYD 0087]
by Pabellón Sintético
Minimal, blippy synth music from Pabellón Sintético that feels like blinking lights on an old computer sounding off in melody.
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Minimalist compositions that take their time unfolding, bands of sound melting glacier-like from one end of the song to the other.
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cosmic ground III
by Cosmic Ground
supported by 21 fans who also own “B-Wave Live”
I think Cosmic Ground is a exciting band. Old fashioned and with nice vibes and rhytms. But I miss something. Many compare with TD. Maybe, but I lack the crescendo at the end of the songs. It becomes boring when the end lacks a Froeselike guitarsolo. Something is missing, the crescendo is missing, the songs just exit out with no proper end explosion.
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